“We were just trying to do something different,” said Caughthran in a phone interview.Ĭaughthran jokes that being in both bands makes them work “twice as hard,” but he’s appreciative of the additional creative channel. While The Bronx bowed in 2002, Mariachi El Bronx - appearing on a triple bill at the Danforth Music Hall Friday sandwiched in between headliners Clutch and the Mike Dillon Band - made their first appearance in 2006. tour where Mariachi opened up for Bronx,” Caughthran recalls. Ford and Ken Horne, and bassist Brad Magers, supplemented by drummer David Hidalgo Jr - perform double duty, sometimes on the same night. “And El Bronx is the outlet for love.”Įxcept for adding a few bodies to supply the brass, the four Bronx mainstays - singer Caughthran, guitarists Joby J.
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“The Bronx is pretty full on, pretty aggressive, the outlet for anger,” explains singer Matt Caughthran. Where The Bronx goes for the critical jugular in seething two-guitar-attack classics like “ Heart Attack American” and “They Will Kill Us All (Without Mercy),” Mariachi El Bronx pulls out sunnier arrangements, trumpets and mariachi rhythms for more dramatic and lighthearted fare like “48 Roses” and “Raise the Dead.” punk rockers The Bronx, but the duality of a band that pursues both identities with equal career-driven vigour is a rarity in this day and age. There’s nothing too sinister about Mariachi El Bronx, the alter ego of L.A.
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